The main focus of Foundation sponsorship is through the New Zealand Opera Artist Development Programme.
Co-ordinated and administered by New Zealand Opera, the Artist Development Programme provides an opportunity for some of New Zealand’s most promising young opera singers to develop their craft within the context of our national opera company.
Each year, early career singers are selected as Dame Malvina Major Foundation Studio Artists (previously Emerging Artists). Dame Malvina is part of the selection panels. Artists are equipped with the skills necessary for an opera career through a programme of vocal and dramatic training encompassing languages, movement, interpretation, stagecraft, and mentoring by international experts. They are supported through role-study and performance opportunities with New Zealand Opera with the programme tailored specifically to meet the needs of each individual artist.
Selection of Dame Malvina Major Foundation Studio Artists
“Thank you all so much for your commitment and belief in this wonderful programme... I will forever treasure this special time in my extraordinary journey.”
Dame Malvina Major Foundation Studio Artists 2020
Anna Simmons, soprano
Anna Simmons was born in Tauranga, and graduated from Waikato University with a Bachelor of Music with First Class Honours in 2016, where she was a Sir Edmund Hilary Scholar. She has been a member of the Freemasons New Zealand Opera Chorus since 2015 and has appeared in Tosca, The Mikado, Carmen, Candide, L’Elisir d’Amore, Aida, La Bohème, and Don Giovanni. She is popular as a soloist with choral societies around the country, and has premièred two works by Janet Jennings including the critically acclaimed opera, Flowing Water.
Felicity Tomkins, soprano
Felicity Tomkins graduated from the University of Waikato, as a Sir Edmund Hillary Scholar and Adastra Foundation Scholar, with conjoint Bachelor of Music (voice) and Bachelor of Science (biochemistry) degrees. She studied with Glenese Blake and Gina Sanders, and is currently completing her Master of Music. She joined the Freemasons New Zealand Opera Chorus (Auckland) 2019.
Felicity holds ATCL Diplomas with Distinction in Classical Singing Performance (2017), Public Speaking (2016), Speech and Drama (2014). She was selected to be a member of the 2014 SGCNZ Young Shakespeare Company, participating in a three-week workshop in London and performing in Julius Caesar at The Globe Theatre. Felicity was awarded the 2018 Sir Edmund Hillary Medal for the Arts, and won the 2017 University of Waikato Aria Competition. As a semi-finalist in the 2018 PACANZ National Young Performer of the Year, she won the award for the singer with the most potential. She has appeared as a soloist with several choirs, including Rossini’s Petite Messe Solenelle with Cantando Choir, and Bach’s B Minor Mass with the Hamilton Civic Choir.
Harry Grigg, tenor
Harry Grigg completed a Bachelor of Music with Honours (First Class) at the University of Auckland under the tutelage of Te Oti Rakena, and placed third at the 2018 PACANZ Young Performer of the Year Competition. During 2017 Harry attended Si parla, si canta, a six-week summer school in Italy, and took part in Patricia Hurley’s Italian for NZ Opera Singers Masterclasses with support of the Dame Malvina Major Foundation. He performed the role of Scaramuccio/Ariadne auf Naxos as part of the Lisa Gasteen National Opera School in Brisbane. Harry was selected as a member of the Kiri Te Kanawa Foundation Singer Development Programme in 2017/18. He is currently a member of the Freemasons New Zealand Opera Chorus in Auckland and performed in Rossini’s The Barber of Seville and Mozart’s Don Giovanni during 2019. Harry was recently awarded a Circle100 travel scholarship to help him explore his future study options overseas.
“Learning what is expected of a professional performer is an integral lesson that I will take on my journey...”
2016-17 (as Scholars)
XING XING WANG
JULIA HILL (BOOTH)
SARAH McONIE (now COURT)
APRIL MARIE NEHO
WENDY DAWN THOMPSON
“One of my personal favourite parts of the program was the constant availability to work with visiting artists from overseas.”